Containers tell the world how well or how poorly the global economy is doing. Empty container ships indicate a downturn; fully loaded container ships—or orders for new, even bigger ships—are euphoriant symbols of better times. The container itself, which is 2.44 metres wide, 2.59 metres high, and either 6.06 or 12.192 meters long, has been the globally standardized transportation module since 1956. Thirty million of them can be found on the seas and oceans of the world. Now the container is also a source of fascination for many architects. The NRW-Forum Düsseldorf invited renowned architects, designers, and artists from around the world to submit designs for container architecture. Submissions included not only existing container buildings, but also new designs that were created specially for the exhibition: original, practicable, fictitious, sensible, fantastic, minimalist, exotic, pragmatic, futuristic—the breadth of submissions was very wide. Two dozen of these designs have been reconstructed as models on a scale of 1:5 for the ‘Container Architecture’ exhibition; the highest of the models breaks through the ceiling of the museum. Over 100 designs were submitted for consideration and every one of them will be included in a frieze of pictures running around the walls of the exhibition space. A catalogue of the exhibition will be published.
Tuesday, 21 June 2011
Container Architecture
Containers tell the world how well or how poorly the global economy is doing. Empty container ships indicate a downturn; fully loaded container ships—or orders for new, even bigger ships—are euphoriant symbols of better times. The container itself, which is 2.44 metres wide, 2.59 metres high, and either 6.06 or 12.192 meters long, has been the globally standardized transportation module since 1956. Thirty million of them can be found on the seas and oceans of the world. Now the container is also a source of fascination for many architects. The NRW-Forum Düsseldorf invited renowned architects, designers, and artists from around the world to submit designs for container architecture. Submissions included not only existing container buildings, but also new designs that were created specially for the exhibition: original, practicable, fictitious, sensible, fantastic, minimalist, exotic, pragmatic, futuristic—the breadth of submissions was very wide. Two dozen of these designs have been reconstructed as models on a scale of 1:5 for the ‘Container Architecture’ exhibition; the highest of the models breaks through the ceiling of the museum. Over 100 designs were submitted for consideration and every one of them will be included in a frieze of pictures running around the walls of the exhibition space. A catalogue of the exhibition will be published.
Raphael Vicenzi
Raphael Vicenzi is an illustrator based in Brussels, Belgium. Raphael's work has been featured in Illustration now 3, The Beautiful, The New Age of Feminine Drawing, Computer arts, Advanced Photoshop and many others.
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